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|----------------------------------------------------------------| |------6------8h10-x--8h10------6------8--x--8-------------------| |--------5----9----x--9-----------7----6--x--6-------------------| |----7-----7--10---x--10------7-----7--5--x--5-------------------| |--5----------8----x--8----------------7--x--7-------------------| |---------------------------6----------5--x--5-------------------| |----------------------------------------------------------------| |------6------8h11-x--8h10------6------8--x--8-------------------| |--------5----8----x--8-----------7----6--x--6-------------------| |----7-----7--10---x--10------7-----7--5--x--5-------------------| |--5----------8----x--8----------------7--x--7-------------------| |---------------------------6----------5--x--5-------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash