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|-14---------------17--------------16--------------15------------| |-17b19------------20b22-----------19b2\1-----------18b20---------| |--------9-9--9-9---------9-9--9-9--------9-9--9-9-------9-9--9-9| |--------9-9--9-9---------9-9--9-9--------9-9--9-9-------9-9--9-9| |----------------------------------------------------------------| |----------------------------------------------------------------| |14-------------14-------------14-------------14-----------------| |17b19----------17b19----------17b19----------17b19--------------| |------9-9--9-9-------9-9--9-9-------9-9--9-9-------9-9-9-9-11-11| |------9-9--9-9-------9-9--9-9-------9-9--9-9-------9-9-9-9-11-11| |----------------------------------------------------------------| |----------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash