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|-0---3---0---1------------------------------------------------| |-1---3---1---1------------------------------------------------| |-2---0---0---2------------------------------------------------| |-2---0---2---3------------------------------------------------| |-0---2---3---3------------------------------------------------| |-----3-------1------------------------------------------------| |--------------------------------------------------------------| |---5-5---5-5---5-5---3-3---5-5---5-5---5-5---5-5---3-3--------| |---5-5---5-5---5-5---5-5---5-5---5-5---5-5---5-5---5-5--------| |--------------------------------------------------------------| |-3-----3-----3-----3-----3-----3-----3-----3-----3------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |---1-1---1-1---1-1---0-0---5-5---5-5---5-5---3-3--------------| |---0-0---0-0---0-0---0-0---5-5---5-5---5-5---5-5--------------| |--------------------------------------------------------------| |-0-----0-----0-----2-----3-----3-----3-----3------------------| |--------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash