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|-----------0--2--3--------2--0---------------------| |--------3---------------0------0--3--3-------------| |------0---------------0-----------------------0----| |----0--------------------------------------0-----0-| |---------------------------------------------------| |-3------------------0-------------------3----------| |-----------0--2--3--------2--0-----0--0------------------0------| |--------3---------------0-------0-------------1--------1---3--1-| |------0---------------0---------------------0---0----0----------| |----0-----------------------------------------------------------| |-----------------------------------------0---------0------------| |-3------------------0-------------------------------------------| |------------------------0--0--0--------0------------------------| |-0--------------------1--------------1----3--1--0---------------| |---------0h2--------0--------------0-------------------0h2------| |-------2-------4-------------------------------------2--------4-| |----5--------5----0--------------0-----------------5--------5---| |----------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash