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|-3--3--3---------3--3--3----------------------------------------| |-3--3--3---------3--3--3--2-----------0-----------0-----2-------| |-0--2--2---------0--2--2--2-----0-----------0-----------------0-| |-0--0--2---------0--0--2--2-------------------------------------| |-2-----0--4h5h7--2-----0--0--------------------------0-----0----| |-3---------------3-----------3-----3-----3-----3----------------| |-----------------------------------------5--------5--------5----| |----------3--5--7-----------7-----5---------5--------5--------5-| |----0-----------------0-----------------------------------------| |----------------------------------------------------------------| |-2-----2-----4--5--5-----5--------------------------------------| |-------------------------------5-----5---------5--------5-------| |--------------3-| |-------3--------| |----------------| |----------------| |----------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash