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|---------------------------------------------------------------| |---------------------------------------------------------------| |-10b12-10b12r10-8~-10/12-10p8---8-10--10/12-10p8---8-10--------| |------------------------------X------------------X------8h10-8-| |---------------------------------------------------------------| |---------------------------------------------------------------| |---------------------------------------------------------------| |---------------------------------------------------------------| |------8h10--10b12-10b12--b12r10-8------10/12-10--b12r10-8------| |-8h10-----------------------------8-10--------------------8-10-| |---------------------------------------------------------------| |---------------------------------------------------------------| |---------------------------------------------------------------| |------------------------------------------------11-| |--------------------------------------13-13\11--11-| |-10/12-10--b12r10-8------8----8-10/12--------------| |--------------------8-10---10----------------------| |---------------------------------------------------| |---------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash