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|--------1--------------3----------------0-----3p0-----0---------| |-1--------1---1--1/3-----3----------0-1---1-------1-----1-------| |-0h2--------2-2--2/4-------4------2---------2-------2-----2-0---| |-3----3-------3--3/5--5---------2-------------------------------| |------------------------------0---------------------------------| |----------------------------------------------------------------| |--------1--------------3----------------0-0-3-0-0-0-0---0----| |-1--------1------1/3-----3----------3/5-5-5-5-5-5-5-5p3-3\1--| |-0h2--------2----2/4-------4------2--------------------------| |-3----3-------3--3/5--5---------2----------------------------| |------------------------------0------------------------------| |-------------------------------------------------------------| |--------1--------------3-----| |-1--------1------1/3-----3---| |-0h2--------2----2/4-------4-| |-3----3----------3/5--5------| |-----------------------------| |-----------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash