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|---------------------------------------------| |-------10--------10--------------------------| |----10----10-12-----10-------10----9-9-10----| |--------------------------12----12--------12-| |--8------------------------------------------| |---------------------------------------------| |----------------------------------| |----------------------------------| |----7------------9---9---9-10-12~-| |-/8---8-10-7----------------------| |-------------8--------------------| |----------------------------------| |---------------------------------------------| |-------10--------10--------------------------| |----10----10-12-----10-------10----9-9-10----| |--------------------------12----12--------12-| |--8------------------------------------------| |---------------------------------------------| |-------------------------------------| |-------------------------------------| |----7------------9---9---9-10-10/12~-| |-/8---8-10-7-------------------------| |-------------8-----------------------| |-------------------------------------| |--------------------------------| |--------------------------------| |----7------------9--9--9--9--9~-| |-/8---8-10-7--------------------| |-------------8------------------| |--------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash