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|--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |----------------5-5-5-----9-9-9-9-9-----5-5-5-5-5-------------| |-5-5--5-5---3-3-3-3-3-5-5-7-7-7-7-7-7-7-3-3-3-3-3-7-7---------| |-3-3--3-3---1-1-------3-3-----------5-5-----------5-5---------| PM= = = = = = = = |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |-----------------------5-5-5-----9-9-9-9-9-----5-5-5-5-5------| |--5-5-5-5-5-5-5-5--3-3-3-3-3-5-5-7-7-7-7-7-7-7-3-3-3-3-3-2-2--| |--3-3-3-3-3-3-3-3--1-1-------3-3-----------5-5-----------0-0--| PM = = = = = = = = = = = = = = |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-------------------------| |--0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash