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|-4--5--7--7--4--5--7--7--4--5--7--7--4--5--5/7------------------| |-5--5--7--7--5--5--7--7--5--5--7--7--5--5--5/7------------------| |-4--6--8--8--4--6--8--8--4--6--8--8--4--6--6/8------------------| |----7--9--9-----7--9--9-----7--9--9-----7--7/9------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-4--5--7--7--4--5--7--7--4--5--7--7--4--5--4--5--4--5-----------| |-5--5--7--7--5--5--7--7--5--5--7--7--5--5--5--5--5--5-----------| |-4--6--8--8--4--6--8--8--4--6--8--8--4--6--4--6--4--6-----------| |----7--9--9-----7--9--9-----7--9--9-----7-----7-----7-----------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-9--9--9--9--9--9--9/-------------------------------------------| |-9--9--9--9--9--9--9/-------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash