* This content is licensed by BMI
|--------------|------|------------| |-3-3--2-3--0--|------|-3-3--2-3-0-| |-2-2--2-2--2--|-(2x)-|-0-0--0-0-0-| |-0------------|------|------2-----| |------0-------|------|------0-----| |--------------|------|-0----------| |--------------|------|------------|------| |-3-3--2-3--0--|------|-3-3--2-3-0-|------| |-2-2--2-2--2--|-(3x)-|-0-0--0-0-0-|-(2x)-| |-0------------|------|------2-----|------| |------0-------|------|------0-----|------| |--------------|------|-0----------|------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash