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|-------------------15b16----------------------------------------| |----------------------------------16-16-16----------16-16-16-16-| |-3b5r3b5r3b5r3-----------------13-15-13-15-------13-15-13-15-13-| |-------------------------13h15-------------13h15----------------| |----------------------------------------------------------------| |---------------17/----------------------------------------------| |--------------------15b16-pb16-pb16-pb16r15-13-------16----------| |-16--------------------------------------------16b18----16b18-16-| |-15--15b17r15p13-------------------------------------------------| |-----------------15----------------------------------------------| |-----------------------------------------------------------------| |-----------------------------------------------------------------| |-18b20-18b20-18b20-18-16-15-16-18----16b18-| |----------------------------------16-------| |-------------------------------------------| |-------------------------------------------| |-------------------------------------------| |-------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash