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|-12--12----12------12-------------------------| |-15b-15b---15b--12----15--12------------------| |-----------------------------14--12----14--12-| |----------------------------------------------| |----------------------------------------------| |----------------------------------------------| |----------------------------------------------------------| |----------------------------------------------------------| |------------12--12--14--12--14b---14b-14b-14b-14b-14b-14b-| |-----12--14-----------------------------------------------| |-/14------------------------------------------------------| |----------------------------------------------------------| |------------------------------------------------------| |------------------------------------------------------| |-14b--14r.b--12--14b-14b-14b-14b-14b-14b-14b-14r.b-12-| |------------------------------------------------------| |------------------------------------------------------| |------------------------------------------------------| |-------------------12----------15-----------------12-12----| |-----12----12--/12----12--15b-----15b-------------12-12----| |-/14----12-14b------------------------------------12-12----| |-------------------------------------------12-----------14-| |---------------------------------------/14----14-----------| |-----------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash