* This content is licensed by BMI
|---------------13-13b15r13-------------------------------------| |-10--13--13/15-------------14r13p11-11~--11b13r11--------------| |--------------------------------------------------------10-10~-| |--------------------------------------------------12h13--------| |---------------------------------------------------------------| |---------------------------------------------------------------| |-------------13~-13b15-15r13-------------------------11-10------| |-11-13-13/15-----------------13b15-15r13-11-------11-------11---| |--------------------------------------------10\12~--------------| |--------------------------------------------------------------12| |----------------------------------------------------------------| |----------------------------------------------------------------| |-----------------------------------------| |-11-10-11-13-11-10h11-10/8-10p8----------| |---------------------------------10-8-10-| |-----------------------------------------| |-----------------------------------------| |-----------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash