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|-----------------------------------------------------------| |----7----------------7---------7---7-----------------------| |----7-7--------x-----7-7-------7-7-7---x-------------------| |----7---7h9-7--x-----7---------7---7---x-------------------| |-7--7----------x-----------------------x--10-10--hn12-hn12-| |---------------x--0--5---5--0--7---7-7-x--10-10--hn12-hn12-| |-----------------------------------------------------| |-7-------------7------7------------------------------| |-7-7-----------7-7----7-7--------7-------------------| |-7---7h9-7-----7------7---7h9-7--7-------------------| |-7-------------------------------7--10-10--hn12-hn12-| |------------0--5---5--7---7------7--10-10--hn12-hn12-|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash