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|13-10----10-----------------------------------------------------| |------13---13-10--13-10----10-----------------------------------| |------------------------12----12-10--12-10----10----------------| |-------------------------------------------12----12-10--12-10---| |----------------------------------------------------------------| |----------------------------------------------------------------| |---------------------------------| |---------------------------------| |---------------------------------| |-----10--------------------------| |-12-----12-10--12-10----10-------| |---------------------13----13-10-| |----------------------------------------------| |----------------------------------------------| |-----------------------------17---17-19-17-19-| |------------17---17-19-17-19----19------------| |17-20-17-20----20-----------------------------| |----------------------------------------------| |------------------17----17--20b22-| |18----18-20-18-20----20-----------| |---19-----------------------------| |----------------------------------| |----------------------------------| |----------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash