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|------------------------------------------------------| |----------2h3p2-----5-----5--2-------2-----------2----| |-------2---------2--4-----4--2-------2-----------2----| |------------------------------------------------------| |-----0------------------------------------------------| |-0h2----------------4--4--------2--2----2--0--0-----0-| |---------------------------------------------| |-3-----2-----2-----2-----0-----0-----2-----3-| |-2-----3-----2-----2-----1-----1-----2-----4-| |---------------------------------------------| |-------------0--0-----0----------------------| |-2--2-----2--------------0--0-----0-----0----| |------------------------------------------------------| |----------2h3p2-----5-----5--2-------2-----2-----2----| |-------2---------2--4-----4--2-------2-----2-----2----| |------------------------------------------------------| |-----0------------------------------------------------| |-0h2----------------4--4--------2--2----2--0--0-----0-| |---------------------------------------------| |-3-----2-----2-----2-----0-----0-----2-----3-| |-2-----3-----2-----2-----1-----1-----2-----4-| |---------------------------------------------| |-------------0--0-----0----------------------| |-2--2-----2--------------0--0-----0-----0----|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash