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|------------0----------3-3-----3--1-1---------3-1-----1--1----| |--1--1------0--3-2-----2-2-----2--3-3-------2-2-3-----3--3----| |--0--0--0h1----4-2-----2-2-----2--2-2-------2---2-----2--2----| |--2--2----------------------------0---0-1/2-------0-0------0-1| |3------------------0-0-----0-0--------------------------------| |--------0-----------------------------------------------------| |----------------------------3-3---2--2--2-2--------1-1-1--1-1-| |----1---1---1---1-----------2-2---1--1--1-1--------0-0-0--0-0-| |----2---2---2---2-----------2-2---2--2--2-2--------0-0-0--0-0-| |2-3---3---4---4-----------------0------0----------------------| |------------------0-3-2-1-0-----------------------------------| |--------------------------------------------0-1-2-3-----3-----|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash