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|---------------------------------------------------------------| |-----------------8-10-10-8h10p8--------------5h6p5-6p5---------| |-----------5-7/9----------------9-7\5---5h6------------7p5-7~~~| |-------5-7----------------------------7-----7------------------| |-3-5/7---------------------------------------------------------| |---------------------------------------------------------------| |--------------------------------------------------------------5| |-----------------------1-3p1-3-4p1-3-1--1-4\3-1---8-8-8-7-6-5-5| |-------------------1/2---2-----2-----2-2--2-----2-9-9-9-8-7-6-6| |-7\5-3-5p3-----------------------------------------------------| |-----------5-3-4-5---------------------------------------------| |---------------------------------------------------------------| |------------------------7-8-9-10-10/11-10----------------------| |----7---7/8---9-10---------------------------------------------| |-------------------6/7---8-9-10-10/11-10-----------------------| |6/7---7-----8-9-10---------------------------------------------| |---------------------------------------------------------------| |---------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash