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|---------10h13p10------10--13b--13--12------10-| |-10--13------------13-------------------13-----| |-----------------------------------------------| |-----------------------------------------------| |-----------------------------------------------| |-----------------------------------------------| |--------10h13p10------10--15b--15--12---------| |-10h13------------13-------------------13/15~-| |----------------------------------------------| |----------------------------------------------| |----------------------------------------------| |----------------------------------------------| |--------10h13p10------10--13b--13--12------10---------10h13p10-| |-10-13------------13-------------------13------10-13-----------| |---------------------------------------------------------------| |---------------------------------------------------------------| |---------------------------------------------------------------| |---------------------------------------------------------------| |-----10--15b--15--12--------| |-13-------------------13b15-| |----------------------------| |----------------------------| |----------------------------| |----------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash