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|-12-12-12--12-12-12--12-12-12---12-12-| |--------------------------------------| |-12-12-12--12-12-12--12-12-12---12-12-| |--------------------------------------| |--------------------------------------| |--------------------------------------| |---------------------------------------------------| |-9------9----9----9-----9----9----9------9-----9---| |-12b13--b13--b13--b13---12---b13--b13----b13---b13-| |---------------------------------------------------| |---------------------------------------------------| |---------------------------------------------------| |------------------------------------------------------------| |------------------------------------------------------------| |-----------------------------------1--1---2-2--1-1--2-2---1-| |-4-4--4--4-4--4--2-2-2--2-2--2-----2--2---2-2--2-2--2-2---2-| |-2-2--4--2-2--4--0-0-2--0-0--2-----2--2---2-2--2-2--2-2---2-| |-----------------------------------0--0---0-0--0-0--0-0---0-|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash