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|--7--7-7---8----10--10-10--10--10---12---10---8----7---5--5-5--5--5-| |--8--8-8---10---12--12-12--12--12---13---12---10---8---7--7-7--7--7-| |-------------------------------------------------------7--7-7--7--7-| |--------------------------------------------------------------------| |--------------------------------------------------------------------| |--------------------------------------------------------------------| |-7/8---7--6--5--4--3--------------------------------| |-9/10--9--8--7--6--5------1-------------------3-5-3-| |------------------------------2-------0-2-4-0-------| |----------------------0-2---2---0-2-4---------------| |----------------------------------------------------| |----------------------------------------------------| |----------10h12--10--5--4--2--3-| |----------10h12--10--7--6--4--5-| |-5-4-2-0------------------------| |--------------------------------| |--------------------------------| |--------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash