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|----------------------------------------------------------------| |----------------------------------------------------------------| |-----------------------4---4-------------------7----------------| |-----------2---2-------------------5---5-----------7------------| |-----9/2---------0-1-2---2---------------3-4-5------------------| |-2/7-----0---0---------------0-2-3---3-----------5---5----------| |----------------------------------------------------------------| |----------------------------------------------------------------| |---------------4--------------------------7---------------------| |---2---2-------------4--------5---5-----------7-----------------| |---------0-1-2---2-2----2p0---------3-4-5-----------------------| |-0---0----------------------3---3-----------5---5---------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |---------------4---4-------------------7------------------------| |---2---2-------------------5---5-----------7--------------------| |---------0-1-2---2---------------3-4-5--------------------------| |-0---0---------------0-2-3---3-----------5---5------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash