* This content is licensed by BMI
4x |-10-----10--10--x--x---10--10--10-| |-10h11--11--11--x--x---11--11--10-| |-10-----10--10--x--x---10--10--10-| |-10h12--12--12--x--x---12--12--10-| |-10-----10--10--x--x---10--10--10-| |----------------------------------| |-x-3-x-3-x-3-x-3-x-3h3-x--3-x-3-x-3-x-3-x-3h3-| |-x-4-x-3-x-4-x-3-x-3h4-x--4-x-3-x-4-x-3-x-3h4-| |-x-3-x-3-x-3-x-3-x-3h3-x--3-x-3-x-3-x-3-x-3h3-| |-x-5-x-3-x-5-x-3-x-3h5-x--5-x-3-x-5-x-3-x-3h5-| |-x-3-x-3-x-3-x-3-x-3h3-x--3-x-3-x-3-x-3-x-3h3-| |----------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash