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|--------------------------------------------------------------| |---4-6-8-------------4-6-8------------------------------------| |---5------7--7---8---5------7-7---5---------------------------| |---6------8--8---8---6------8-8---5---------------------------| |----------------------------------3---------------------------| |---4------6------8---4------6---------------------------------| |--------------------------------------------------------------| |---4-6-8-------------8-6--------4-6-8-------------------------| |---5------7--7---8--------8-5---5------7-7--5-----------------| |---6------8--8---8--------------6------8-8--5-----------------| |--------------------------------------------3-----------------| |---4------6------8--------------4------6----------------------| |--------------------------------------------------------------| |---4--4--4---3--3--6------------------------------------------| |---5--5--5---4--4--3------------------------------------------| |---6--6--6---5--5--5------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash