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|--------------------------------------------------------------| |---4-6-8-------------4-6-8-----------8-6----------------------| |---5------7--7--5----5------7-7--8-------8-5------------------| |---6------8--8--5----6------8-8--8----------------------------| |----------------3---------------------------------------------| |---4------6----------4------6----8----------------------------| |--------------------------------------------------------------| |---4-6-8------------------------------------------------------| |---5------7--7--5---------------------------------------------| |---6------8--8--5---------------------------------------------| |----------------3---------------------------------------------| |---4------6---------------------------------------------------| |--------------------------------------------------------------| |---4--4--4---3--3--6------------------------------------------| |---5--5--5---4--4--3------------------------------------------| |---6--6--6---5--5--5------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash