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|-------------------------------------3-3--1-1-----------------| |-----------1-1-------------------1-1-3-3--2-2----------1-1----| |-4-4-4-4---2-2-----------4-4-4---2-2-0-0--3-3----------0-0----| |-3-3-3-3---2-2-----------3-3-3---2-2-0-0--0-0-0-2-3-0--2-2----| |-3-3-3-3---0-0-0-2-3-----3-3-3---0-0-2-2---------------3-3----| |-1-1-1-1-0-----------3-1-1-1-1-0-----3-3----------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |---0-2-0------------------------------------------------------| |-3-------3-2---2---2---2--------------------------------------| |-------------4---4---4---4-0----------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash