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|----------------------------------------------------------| |----------10--9--------8-8----------10--9-----------------| |-------8--8---8--------8-8-------8--8---8-----10/12--10p8-| |-8h10------------8h10-------8h10-----------8--------------| |----------------------------------------------------------| |----------------------------------------------------------| |-----------------------------------| |-----------------10--9--------8--8-| |--------------8--8---8--------8--8-| |-10-----9h10------------8h10-------| |----10-----------------------------| |-----------------------------------| |----------------------------------------------9----------------| |-------4--4-------9----------------9----9/11----11--11/13--11~-| |-4--4--------/10-------------8h10----10------------------------| |---------------------8h9--8------------------------------------| |---------------------------------------------------------------| |---------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash