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|------------------------------------------------5-| |-7-7--5--3--3-----------------7-7--5--3--7--7-----| |-7-7--6--4--2--4-----4--------7-7--6--4--7----7---| |------------0----2h4---2-2h4----------------------| |--------------------------------------------------| |--------------------------------------------------| |-3----------------------------------0----| |-3--5--3-3--5--3--5----3--3--3-3----3----| |-4--4--4-4--4--4--4----2--4------4--2--4-| |---------------------0-------------------| |-----------------------------------------| |-----------------------------------------| |---5--5--5---3--3--3---------0-0-0-0----0-| |---5--7--5---3--5--3---------3-3-3-3----3-| |---6--6--6---4--4--4---0-----2-2-2-2h4--2-| |-0------------------------0---------------| |------------------------------------------| |------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash