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|--2----5----0h2------------------------------| |----------------3-------2-3-3h5----5p3p2h3---| |------------------0--------------------------| |--0--0---0-----------------------------------| |----------------------0---------0----------0-| |---------------------------------------------| |--------------------------------3-2---2---3---2--0h2p0-------| |------3---2h3--------------3---------------------------3-----| |-4------------4--------0-----2-------------------------------| |----------------4----0---0------------0-0---0----------------| |-2--2---2--------------------------------------------------4-| |-------------------3-----------------------------------------| |----------------------------------2------------------3-------| |--------2-2h3p2---------------0h3---2--------------3---3-----| |------2---------2----0-----------------4---------0-------0---| |----2--------------4--------4------------0-----0-----------0-| |--0-----------------------2----------------------------------| |--------------------------------------------3----------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash