* This content is licensed by BMI
|--------------------------9--10p9-------------10-10p9------9-| |-10-10p9------9--12br--9-----------12--10--9-----------12----| |----------11-------------------------------------------------| |-------------------------------------------------------------| |-------------------------------------------------------------| |-------------------------------------------------------------| |-14b------------------------------------------------------------| |------14--9b---------------------------9b-----------------------| |--------------b13r11--9--11----9h11p9------b13r11--9-----9h11p9-| |----------------------------11------------------------11--------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-----------------------17b--19r17--15--------------15--17--17b-| |-------------17-17-17------------------17--15--17--------------| |-----9---16----------------------------------------------------| |-11------------------------------------------------------------| |---------------------------------------------------------------| |---------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash