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|---------------------------------3-------2-------0--------------| |---------------------------------3-------3-------2--------------| |---------------------------------0-------2-------2--------------| |---------2-------4-----6-7---2---0-------0-------2--------------| |-2-------0-------2-----4-5---0---2---------------0--------------| |-0-----3-------------------------3------------------------------| |---------0-0-0-----3-3-3-3---------2-2-2-----0-0-0-0------------| |---------0-0-0-----3-3-3-3---------3-3-3-----2-2-2-2------------| |---------0-0-0-----0-0-0-0-----2---2-2-2-----2-2-2-2------------| |-----2---------0---------------0---------2----------------------| |-----2---------2-----------0h2-----------0----------------------| |-3-2-0---------3------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash