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|-----------5/6--6-6--5/6--6-6--5/6--6-6----------------| |------6-8--5/6--6-6--5/6--6-6--5/6--6-6--9-8-6---------| |-6h7--------------------------------------------6h7----| |-----------------------------------------------------8-| |-------------------------------------------------------| |-------------------------------------------------------| |-------------------------------------------| |------------------------------6-8-6--------| |-------------------------3/7--7-7-7-5\3----| |-8--8-8--8--8-8--8--8-8------------------5-| |-8--8-8--8--8-8--8--8-8--------------------| |-------------------------------------------| |-------------------------------------------6-|------| |-------6--------6--------6--------6--------6-|------| |-8b10-----8b10-----8b10-----8b10-----8b10----|-(2x)-| |---------------------------------------------|------| |---------------------------------------------|------| |---------------------------------------------|------| |------6-------8-6----------------6------------------------------| |--------9-8-6-----9-8-6--------6---9-8-6-------6-------6--------| |-8b10--------------------8-6h7------------8b10----8b10---8-6----| |--------------------------------------------------------------8~| |----------------------------------------------------------------| |----------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash