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|------------------------------------------------------------| |-12--12--12--12--11--11--11--11--15--15--15--12--12--12--12-| |--X---X---X---X---X---X---X---X---X---x---X---X---X---X---x-| |--9---9---9---9---8---8---8---8--12--12--12---9---9---9---9-| |------------------------------------------------------------| |------------------------------------------------------------| |-12--12--12--12--11--11--11--11--9--9--9--9--4--4--4--4-| |--X---X---x---X---X---x---X---x--x--x--X--X--x--x--x--x-| |--9---9---9---9---8---8---8---8--6--6--6--6--7--7--7--7-| |--------------------------------------------------------| |--------------------------------------------------------| |--------------------------------------------------------| |-12--12--12--12--11--11--11--11--9--9--9--9-| |--X---X---X---X---x---X---X---X--x--x--x--X-| |--9---9---9---9---8---8---8---8--6--6--6--6-| |--------------------------------------------| |--------------------------------------------| |--------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash