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|---------10-----10-----------------17-----17------------------| |---10b12----b12-----b12r10---17b19----b19----b19r17-----------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |-------------------------------------14-----------------------| |-17b19-17-15----17b19-17-15-15-17b19----17b19-----------------| |-------------16-----------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |----------------------------10-------10-----------------------| |17b19--15-------15~--10b12----10b12----10b12r10---------------| |----------16-16----------------------------------9b11-9-7---7~| |-----------------------------------------------------------9--| |--------------------------------------------------------------| |--------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash