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|------3-------3--------3--------------------------------------| |-4--4-4-3---3-4-1----1-4----1----3----------------------------| |-5--5-5-3---3-5-1----1-5----1----3----------------------------| |-5--5---3---3---1----1------1----3----------------------------| |--------------------------------------------------------------| |-4------3-------1-----------1----3----------------------------| |----3-6-------3--------3----6---------------------------------| |-4--4-4-3---3-4-1----1-4-1--4--3------------------------------| |-5--5-5-3---3-5-1----1-5-1--5--3------------------------------| |-5------3---3---1----1---1-----3------------------------------| |--------------------------------------------------------------| |-4------3-------1--------1-----3------------------------------| |--------------------------------------------------------------| |-4------3-------1-----------1----3----------------------------| |-5------3-------1-----------1----3----------------------------| |-5------3-------1-----------1----3----------------------------| |--------------------------------------------------------------| |-4------3-------1-----------1----3----------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash