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|--------------------------------------------------------------| |--5-----5-----5-----------------------------------------------| |--7b9---7b9---7b9---b9r7p5-7-5--------5-----------------------| |--------------------------------7p5-7---7p5-------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |------------------------13--15/17--17/20-20b22r20-17/15--13---| |--------------5------14---------------------------------------| |------------5----/14------------------------------------------| |--7\5p3-5/7---------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--15b17--b17--b17--b17--b17r15p13-----------------------------| |-----------------------------------14--12\7\5-7/9-------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash