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|----------4--4---4--4----4--4---4--4--------2--2---2--2-------| |----------4--4---4--4----5--5---5--5--------2--2---2--2-------| |----------5--5---5--5----6--6---6--6--------3--3---3--3-------| |----------6--6---6--6----6--6---6--6--------2--2---2--2-------| |----------6--6---6--6----4--4---4--4--------4--4---4--4-------| |--0-2-3-4-4--4---4--4-----------------4-3-2-2--2---2--2-------| |--2--2---7----------------------------------------------------| |--2--2---7----------------------------------------------------| |--2--2---8----------------------------------------------------| |--4--4---7----------------------------------------------------| |--4--4---9----------------------------------------------------| |--2--2---7----------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash