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|--------------------------------------------------| |-3----------2------------0------------------------| |----4--4--4---2--2--2--2---------------1--1--1--1-| |----4--4--4---4--4--4--4---5--5--5--5--2--2--2--2-| |-2--2--2--2---5--5--5--5---5--5--5--5--2--2--2--2-| |---------------------------3--3--3--3--0--0--0--0-| |-----------------------------------------| |-3----------2------------0-------------2-| |----4--4--4---2--2--2--2---------------2-| |----4--4--4---4--4--4--4---5--5--5--5--2-| |-2--2--2--2---5--5--5--5---5--5--5--5--0-| |---------------------------3--3--3--3----|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash