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|--------------------------------------------------------------------| |--------------------------------------------------------------------| |--------------------------------------------------------------------| |-2-2-2-0-2h4~-2-4-5-4-2-2/4---------------------0-2h4-4-2-0---0-2-4-| |----------------------------5\2-2-2-0-0h2-0-2-4-------------2-------| |--------------------------------------------------------------------| |------------------------------------------------------------------| |-----------2h3p2---------2h3p2---------2-3-5-3-5/7--7-7-7-7h8p7---| |-0----2/4--------4-------------------4--------------------------9-| |---4---------------4-0---------4/7-4------------------------------| |-----------------------2------------------------------------------| |------------------------------------------------------------------| |------------------------------7-| |-7-7-7-7-10-8-7---7-7-7-7-7-7---| |----------------9---------------| |--------------------------------| |--------------------------------| |--------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash