* This content is licensed by BMI
|-4/5-5-5-5-5-5-5-5-4/5-5-5-5-5-5-5-5-4/5-5-5-5-5-5-5-5----------| |-4/5-5-5-5-5-5-5-5-4/5-5-5-5-5-5-5-5-2/3-3-3-3-3-3-3-3----------| |-4/5-5-5-5-5-5-5-5-4/5-5-5-5-5-5-5-5-2/3-3-3-3-3-3-3-3----------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-10--8-10--8-----8----------------------------------------------| |-10--8-10--8-10--8--10--8--6--8---------------------------------| |-------------10-----10--9--7--9---------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash