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|--10-10-x-10-x-8--8--8---12-12-x-12-x-10-10-10------------------| |--10-10-x-10-x-8--8--8---13-13-x-13-x-10-10-10------------------| |--10-10-x-10-x-9--9--9---12-12-x-12-x-11-11-11------------------| |---------------10-10-10---------------12-12-12------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |--10-10-x-10-x-8--8--8---12-12-x-12-x-14-14-14------------------| |--10-10-x-10-x-8--8--8---13-13-x-13-x-15-15-15------------------| |--10-10-x-10-x-9--9--9---12-12-x-12-x-14-14-14------------------| |---------------10-10-10-----------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |--10-10-x-10-x-8--8--8---12-12-x-12-x-10-10-10---------5--------| |--10-10-x-10-x-8--8--8---13-13-x-13-x-10-10-10---5--6--5--------| |--10-10-x-10-x-9--9--9---12-12-x-12-x-11-11-11---5--7--5--------| |---------------10-10-10---------------12-12-12---7--7--5--------| |-------------------------------------------------------5--------| |----------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash