* This content is licensed by BMI
|-3-----3---3----------3-------0-3-----------------------------| |--------------------------------------------------------------| |---2b4-------2b4r2-0----2b4r2-----2b4r2p0---2b4r2-0--2--------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |-----------------------------3-----------------0--------------| |-------------------------------3------------------------------| |-2b4r2p0---0----------0-0h2------2b4r2p0---2b4---2b4r2p0-0----| |---------2-----0-0h2---------------------2--------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |---2----------------------------------------------------------| |-3---5b6r5-3--------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash