Boston

Boston

More Than A Feeling

Difficulty: Advanced

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|--------------------------------------------------| |--------/7--7-8-7h8p7-----8b10---8-7h8p7----------| |-/6-7-9---------------9-7------7---------9-7-9-11-| |--------------------------------------------------| |--------------------------------------------------| |--------------------------------------------------| |-------------------------------------------------| |-10-8-7-------------------/7-7-8-7h8p7-----10b12-| |--------9-7-9b11r9-7-6-----------------9-7-------| |-----------------------7~------------------------| |-------------------------------------------------| |-------------------------------------------------| |--7------------------------------------------------| |----10-8-7h8p7---7---8-7-5h7p5---5---7-5h7p5-------| |---------------9---5-----------7---7---------7-6-7-| |---------------------------------------------------| |---------------------------------------------------| |---------------------------------------------------| |-/10--9--7----------3-------0---2-| |------------10b12---3---3---0---3-| |--------------------0---2---0---2-| |------------------------0---2---0-| |----------------------------2-----| |--------------------3---2---0-----|

h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash

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