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|14-12-11-12----11------------------11-------------------------------| |------------12----12----------12------12----------12----------------| |---------------------13-11-13----13------13-11-13----13-13b15r13p11-| |--------------------------------------------------------------------| |--------------------------------------------------------------------| |--------------------------------------------------------------------| |------14-12-11-12----11------------------11-------------------------| |-------x----------12----12----------12------12----------12----------| |---11-x-------------------13-11-13----13------13-11-13----13-13b-11-| |-13----x------------------------------------------------------------| |-------x------------------------------------------------------------| |-------x------------------------------------------------------------| |------------------| |------------------| |-13b15r13-11---11-| |------------13----| |------------------| |------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash