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|-----3-3--3-3------8-8--8-8------3-3--3-3------3-3--3-3-| |-----2-2--2-2------7-7--7-7------2-2--2-2------2-2--2-2-| |-----2-2--2-2------7-7--7-7------2-2--2-2------2-2--2-2-| |---------------0-0--------------------------------------| |-0-0-------------------------0-0-----------0-0----------| |--------------------------------------------------------| |-----8-8--8-8------8-8--8-8------3-3--3-3------3-3--3-3-| |-----7-7--7-7------7-7--7-7------2-2--2-2------2-2--2-2-| |-----7-7--7-7------7-7--7-7------2-2--2-2------2-2--2-2-| |-0-0-----------0-0--------------------------------------| |-----------------------------0-0-----------0-0----------| |--------------------------------------------------------| |----10-10--10-10------8-8--8-8------3-3--3-3---0--0--0---0-| |-----9--9---9--9------7-7--7-7------2-2--2-2---5--5--5---5-| |-----9--9---9--9------7-7--7-7------2-2--2-2---7--7--7---7-| |------------------0-0--------------------------6--6--6---6-| |--------------------------------0-0------------7--7--7---7-| |-0-0-------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash