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|----------------------------------------------------------------| |----------------------------------------------------------------| |-4-4-4-4-4-4-4-4-3-3-3-3-3-3-3-3-4-4-4-4-4-4-4-4-8-8-8-8-4-4-4--| |----------------------------------------------------------------| |-2-2-2-2-2-2-2-2-1-1-1-1-1-1-1-1-2-2-2-2-2-2-2-2-6-6-6-6-2-2-2--| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-4-4-4-4-4-4-4-4-3-3-3-3-3-3-3-3-4-4-4-4-4-4-4-4-8-8-8-8--------| |----------------------------------------------------------------| |-2-2-2-2-2-2-2-2-1-1-1-1-1-1-1-1-2-2-2-2-2-2-2-2-6-6-6-6--------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-4/6/8\6-4--4/6/8\6-4-------------------------------------------| |----------------------------------------------------------------| |-2/4/6\4-2--2/4/6\4-2-------------------------------------------| |----------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash