* This content is licensed by BMI
|---5-5-x-x-5---5-5-x-x-5---5-5-x-x-5---3-3-x-x-3---------------| |---6-6-x-x-6---6-6-x-x-6---5-5-x-x-5---3-3-x-x-3---------------| |---7-7-x-x-7---7-7-x-x-7---5-5-x-x-5---4-4-x-x-4---------------| |---7-7-x-x-7---7-7-x-x-7---7-7-x-x-7---5-5-x-x-5---------------| |-5-----------5-------------7-7-x-x-7---5-5-x-x-5---------------| |-------------------------5-----------3-------------------------| |---5-5-x-x-5---5-5-x-x-5---5-5-x-x-5---------------------------| |---6-6-x-x-6---6-6-x-x-6---5-5-x-x-5---------------------------| |---7-7-x-x-7---7-7-x-x-7---5-5-x-x-5---------------------------| |---7-7-x-x-7---7-7-x-x-7---7-7-x-x-7---------------------------| |-5-----------5-------------7-7-x-x-7---------------------------| |-------------------------5-----------3-------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash