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|--------------------------------------------------------------| |--5--7--8---8----7---7----5---5-------------------------------| |--5--7--------------------------------------------------------| |----------9---9----7---7----5---5-----------------------------| |--------7--------5--------3-----------------------------------| |--------------------------------------------------------------|2X |--------------------------------------------------------------| |--5--7--8---8-----12----12-----13----13-----------------------| |--5--7--------------------------------------------------------| |----------9---9------12----12-----14----14--------------------| |--------7---------10-----------12-----------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--5--7--8---8----7---7----5---5-------------------------------| |--5--7--------------------------------------------------------| |----------9---9----7---7----5---------------------------------| |--------7--------5--------3-----------------------------------| |--------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash