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|--------------------------------------------------------------| |--------------------------------------------------------------| |--8-8-8-8---3-3-3-3-------------------------------------------| |--8-8-8-8---3-3-3-3---5-5-5-5-5-5----3-3-3-3-3-3--------------| |--6-6-6-6---1-1-1-1---5-5-5-5-5-5----3-3-3-3-3-3--------------| |----------------------3-3-3-3-3-3----1-1-1-1-1-1--------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--8-8-8-8-8-8---3-3-3-3-3-3----------------------8------------| |--8-8-8-8-8-8---3-3-3-3-3-3--5-5-5-5-5-5--3-3----8------------| |--6-6-6-6-6-6---1-1-1-1-1-1--5-5-5-5-5-5--3-3----6------------| |-----------------------------3-3-3-3-3-3--1-1-----------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash